Hollywood star Nicole Kidman regrets not keeping a movie costume and wishes she had done so.
In Vogue’s interview series ‘Off the Cuff’, Kidman told her co-star Joey King that she regrets not taking a specific costume from the 2001 iconic film ‘Moulin Rouge’.
“I wish I kept the pink feathers from ‘Moulin Rouge’, ’cause they’re so beautiful,” the actress said of one of the outfits she wore as nightclub star Satine in the movie, reports people.com.
Kidman wore the stunning two-piece ensemble, which featured a fitted, embellished bustier and a pink feathered train. It was selected by the film’s co-costume designers, Catherine Martin and Angus Strathie.
The actress also mentioned regretting not keeping the glasses her character Alice Harford wore in the 1999 thriller ‘Eyes Wide Shut’.
“I keep nothing, but I do keep all my couture dresses,” said Kidman.
For the red carpet look for the premiere of ‘A Family Affair’, alongside King and Zac Efron, the actress wore a floor-sweeping strapless nude Gucci gown with a middle thigh-high slit. She completed her look with a gold choker necklace for a subtle yet dramatic effect.
Directed by Richard LaGravenese, ‘A Family Affair’ is about how an unexpected romance triggers a series of funny consequences for a young woman, her mother, and her boss.
Kidman began her journey in showbiz in 1983 with ‘BMX Bandits’. She gained the spotlight with ‘Dead Calm’ and the series ‘Bangkok Hilton’.
In 1990, she gained international acclaim with ‘Days Of Thunder’, a sports action drama featuring her former husband Tom Cruise. She subsequently appeared in films such as ‘Far and Away’, ‘To Die For’, ‘Eyes Wide Shut’, ‘The Others’, and ‘Cold Mountain’.
Over her career spanning more than four decades, Kidman won an Academy Award for portraying Virginia Woolf in the 2002 film ‘The Hours’. She received nominations for ‘Moulin Rouge!’ in 2001, ‘Rabbit Hole’, ‘Lion’, and ‘Being the Ricardos’.
Kidman has also starred in films such as ‘The Golden Compass’, ‘Australia’, ‘Paddington’, ‘Aquaman’, and ‘Bombshell’.